内蒙古诗歌批评的美学嬗变

Aesthetic Evolution of Poetry Criticism in Inner Mongolia

随着内蒙古诗歌创作的繁荣,诗歌批评也逐渐进入了人们的视野,既有综述性评论,也有个案研究。但诗歌作为一种审美的艺术,关于其美学意义的认识既存在于文本层面,也存在于精神层面。本文试图从内蒙古诗歌批评的传统审美趋向、生态美学意义下的草原批评话语建构以及新草原写作的审美突围三个方面着手,来探寻70多年来内蒙古诗歌批评的演变与递进,离析出以草原为背景的群体化写作向多元化个体写作的发展路径,为内蒙古诗歌创作和研究提供借鉴和启示。

With the prosperity of poetry creation in Inner Mongolia,poetry criticism has gradually become popular,with both comprehensive comments and case studies.However,the understanding of the aesthetic significance of poetry as an aesthetic art exists in both the text level and the spiritual level.This paper attempted to explore the evolution and progression of Inner Mongolia's poetry criticism in the past 70 years from three aspects:the traditional aesthetic trend of Inner Mongolia's poetry criticism,the discourse construction of grassland criticism in the sense of ecological aesthetics and the aesthetic breakthrough of new grassland writing,so as to analyze the development path of group writing from grassland as the background to diversified individual writing,and provide reference and enlightenment for Inner Mongolia's poetry creation and research.