摘要
2020年,艺术家尹秀珍在成都知美术馆举办的个展“未知”,为观众提供了一次以艺术的方式测量观众情绪,包括感情的机会和途径。与展览同名的作品《未知》具有无尽的未知和想象的空间价值,以及公共艺术中具有的公共性、互动性价值。由“知”美术馆的空间到尹秀珍的《未知》作品,再链接到全球的现实变幻,由此延伸到个体观众对自我情绪“已知”的折叠结果,一并构成了尹秀珍所设置的完整的循环系统。
In 2020,artist Yin Xiuzhen held a solo exhibition titled"The Unknown"in Chengdu Zhi Art Museum.It provided the audience with an opportunity and a way to measure their emotions,including their feelings,in an artistic way.The work of The Unknown,with the same name,has the spatial value of endless ignorance and imagination,as well as the publicity and interactive value in public art.From the space of"Zhi(meaning to know in Chinese)"art museum to Yin Xiuzhen's work"The Unknown",and then to the linked global reality changes.it extends to the folding results of the individual audience's"known"self-emotions,forming a complete circulation system set up by Yin Xiuzhen.
出处
《公共艺术》
2022年第3期58-63,共6页
Public Art
关键词
尹秀珍
公共性
互动性
Yin Xiuzhen
publicity
interactivity