冷暖·细节·轮廓——探析格丽克诗歌的绘画性

Temperature,Detail,Silhouette——Painted Poetry of Louise Glück’s

美国诗人露易丝·格丽克获2020年诺贝尔文学奖。其诗歌呈现了复杂精巧的表达机制和多维丰富的阐释空间,始终透视着普遍共通的人生哲思。格丽克在其诗歌中引经据典、自我颠覆、寻求表达的多样化,不变的是简约凝练的用词风格。该文旨在呈现格丽克简约诗风中冷暖色调、细节简化、轮廓线条等方面的绘画性特点,进而从这一独创角度解读其诗歌艺术的更多意涵,以期为今后格丽克诗集的翻译带来些许文本补充。

The Nobel Prize in Literature 2020 was awarded to American poet Louise Glück mainly for the exquisite expression devices, multi-dimensional possibilities of interpretation and constant reflections of universal life philosophy in her poems. Her works speak for themselves by citing classics, self-subversion and exploring diverse expressions, which reflects her constant efforts to forge concise and dense wording. This paper aims to present the painting characteristics in terms of temperature, detail and silhouette in Glück’s poetry and then seeks to find more connotations of the original poems of Glück from such a special perspective, therefore showing textual supplements to future translation of Louise Glück’s works.