摘要
近年来,对于习惯以小说为底本改编电影的影视圈来说,先有电影后有小说看似有悖于读者的接受习惯,实际上打破了影圈改编原著“曲高和寡”的窘境。同样是长津湖的故事,《冬与狮》在《长津湖》的影响下既完成了对电影叙事范式的转变,同时二者“联姻”丰富了电影本事的内涵。故该文试从叙事学的角度,探寻《冬与狮》如何利用叙事模式、叙事视角、叙事主题3个方面完成对《长津湖》的叙事重构。
In recent years,for the film and television circles,which are accustomed to adapting films based on novels,it seems to be against readers’ acceptance habits to have films followed by novels,which actually breaks the dilemma of the film circle adapting original works.It is also the story of Lake Changjin.Under the influence of The Battle at Lake Changjin,Winter and Lion not only completed the transformation of the narrative paradigm of the film,but also enriched the connotation of the film ability by the marriage of the two.Therefore,from the perspective of narratology,this paper tries to explore how Winter and Lion uses three aspects of narrative mode,narrative perspective and narrative theme to complete the narrative reconstruction of The Battle at Lake Changjin.
作者
张玉洁
王希宇
吴云
ZHANG Yujie;WANG Xiyu;WU Yun(College of Humanities,Xuzhou University of Technology,Xuzhou Jiangsu,221018,China)
出处
《文化创新比较研究》
2022年第26期14-17,共4页
Comparative Study of Cultural Innovation
基金
江苏省现代教育技术研究重点项目“基于现代信息技术的红色文学课程群教学资源库建设与共享研究”(项目编号:2019-R-77667)
江苏省社科基金项目“融媒体语境下红色经典影视改编的跨媒介叙事研究”(项目编号:21ZWC001)
江苏省大学生实践创新项目“新时期以来红色文学创作整理与研究”(项目编号:XCX2020191)。
关键词
《长津湖》
《冬与狮》
叙事模式
叙事视角
叙事主题
The Battle at Lake Changjin
Winter and Lion
Narrative model
Narrative perspective
Narrative theme