“流动”的艺术社群:以阿那亚北戴河模式为例

"Flowing" Art Community:Taking the Anaya Beidaihe Model as an Example

久负盛名的文旅地产阿那亚北戴河,拥有一群特殊的业主。这一群体来回折返于阿那亚与全国各地之间,依托共通或相似的生活爱好、艺术喜好建立起精神联结,形成了一个富有强大生命力与潜力的可移动艺术社群,孕育出一种全新的社群关系。为探寻这一特殊群体的内部特征与形成,该文将以阿那亚北戴河的事实案例分析切入,经由实践分析转嫁至理论层面的提炼萃取,最终整理出“社区关系—社群关系—可移动的社群关系”这样一组具有普适性的理论模型,进而实现对艺术观众拓展行为的反思。

The famous cultural tourism real estate,Anaya Beidaihe,has a group of special owners.This group travels back and forth between Anaya and all parts of the country,establishing a spiritual connection based on common or similar life hobbies and artistic preferences,forming a mobile art community with strong vitality and potential,and giving birth to a new kind of community relation.In order to explore the internal characteristics and formation of this special group,this paper will start with the factual case analysis of Anaya Beidaihe,and transfer it to the extraction and extraction of the theoretical level through practical analysis,and finally sort out a set of universal theoretical models such as "community relations-community relations-movable a set of universal theoretical models such as community relations",and then realize the reflection on the expansion behavior of art audiences.