摘要
瓦尔特·本雅明的语言观是其艺术思想的基础。本雅明认为,语言具有“直接性(Immediacy)”,批评是最纯粹的语言。《机械复制时代的艺术作品》作为本雅明最重要的艺术批评文章,是将艺术从“物性”中解放出来的纯粹语言实践。本雅明的语言观在《机械复制时代的艺术作品》中的体现可以从“灵韵”“灵韵艺术”“技术复制的艺术”3个方面窥探一二。
Benjamin's language philosophy is the foundation of his artistic thought.In Benjamin's view,the greatest feature of language is immediacy and critic is the purest language.As Benjamin's most important art criticism work,"The Work of Art in the Age of Its Technological Reproducibility"is an important practice to participate in the power of language revelation.The expression of Benjamin's view of language in"The Work of Art in the Age of Its Technological Reproducibility"can be explored from three aspects:"Aura","Auratic Art",and"Reproducible art".
作者
高静
GAO Jing(Art College,Southeast University,Nanjing Jiangsu,210000,China)
出处
《文化创新比较研究》
2021年第31期117-120,共4页
Comparative Study of Cultural Innovation
关键词
本雅明
语言观
《机械复制时代的艺术作品》
灵韵
技术复制的艺术
Walter Bendix Schoenflith Benjamin
Language
"Works of Art in the Age of Mechanical Reproduction"
Aura
Reproducible art