摘要
亨利·瓦尔德是罗马尼亚战后新马克思主义的代表人物,早在20世纪50年代末,他就对幽默问题进行了深入的思考,提出了比较全面的幽默美学理论。他认为,幽默是一种超然物外、与自然的物质性保持距离的人生态度。幽默给人以希望和信心,是以文明的方式对黑暗、不公、邪恶的揭露与反抗。幽默有助于发挥人的创造性思维,激发人的批判精神。他将幽默与隐喻、反讽、戏仿、双关语等符号修辞相联系,从符号美学的角度对幽默问题进行了创新探索,对幽默的语言结构、理性维度和伦理规范等问题提出了新的见解。
Henri Ward is representative of neo-Marxists in Romania after WWII.His comprehensive theory of humour aesthetics produced as early as the late 1950s reveals a thorough reflection on the problem of humour.It proposes that humour is a detached attitude towards life that maintains a distance from the materiality of nature.Humour gives people hope and confidence and offers a civilised wayto expose and resist darkness,injustice and evil.It helps to develop creative thinking and stimulate people’s critical spirit.Ward associates humour with semiotic rhetoric such as metaphor,irony,parody and pun,offers an innovative exploration of humour from the perspective of symbolic aesthetics,and puts forward new views on the language structure,rational dimension and ethical norms of humour.
作者
朱鸿旭
Zhu Hongxu(College of Literature and Journalism,Sichuan University)
出处
《符号与传媒》
2022年第2期15-26,共12页
Signs & Media
基金
国家社科基金重大项目“东欧马克思主义美学文献整理与研究”(15ZDB022)阶段性成果。
