艺术情感的符号叙述及其可能路径

Semiotic Narration of Artistic Emotion and Its Possible Path

情感研究是符号学研究不可回避的内容,而艺术情感又堪称情感研究中最为复杂的对象、最为动人的部分。从日常情感到艺术情感的符号理论分析经历了一个从混乱到稳步发展的过程。本文着重聚焦于艺术情感主题,首先对符号学四种模式中涉及情感研究的理论资源进行了梳理总结;其次就谭光辉教授突破苏珊·朗格研究模式的局限,综合多家所长,在广义叙述学基础上建立的情感叙述研究路径展开辨析;最后提炼出谭光辉著作中涉及艺术情感的部分,指出进一步展开艺术情感研究的可能路径。

Emotional research is an unavoidable aspect of semiotic research,and the emotion of art is the most complex research object and the most emotionally touching part of emotional research.From daily emotion to artistic emotion,the analysis of semiotic theory has progressed from a state of chaos to one of steady development.This paper focuses on the theme of artistic emotion.First,it combs through and summarises the theoretical resources involving emotional research in the four semiotic models.Second,drawing on the expertise of various scholars,especially that of Professor Tan Guanghui who overcomes the limitations of Susan Langer’s research model,this paper analyses the research path of emotional narration based on general narratology.Finally,it refines Tan Guanghui’s work on artistic emotion and points to a possible path for further study of artistic emotion.