摘要
虚构情感是接收者对虚构叙述结果的反应,是虚构叙述的附加意义,因而是符号化的产物。虚构叙述的基本语义域为可能世界,因此依赖于它的虚构情感只在指涉此世界时具有真实性。虚构情感并非产生于主客体之间的关系,而是由符号化的主客体之间的关系构筑,它的强弱取决于主客体的符号化程度,后者影响着人对自身、世界以及二者关系的认知和判断。本文通过探讨主体、客体符号化以及二者的辩证关系在“二我差”中的独特呈现,进一步思考跨界通达的虚构情感在现实文化中发挥的作用。
Fictitious emotion is the receiver’s reaction and attribution of additional meaning to a fictitious narrative.Therefore,it is the product of semiotisation.Because the basic semantic domain of the fictitious narrative is the possible world,the resulting fictitious emotion is true only with reference to this world.Fictitious emotion does not arise from the relationship between subject and object but is constructed by the semiotisingrelationship between the two.The strength of the fictitious emotion depends on the degree of semiotisation of the subject and object,which affects people’s cognition and judgment of themselves,the world and the relationship between the two.By exploring the semiotisation of subject and object in self-differentiation and the dialectical relationship,we further consider the cross-boundary role played by fictitious emotion in the real world.
作者
杨利亭
Yang Liting(School of Liberal Arts from Renmin University of China)
出处
《符号与传媒》
2022年第2期189-200,共12页
Signs & Media
关键词
虚构情感
符号化程度
主体符号化
客体符号化
二我差
fictitious emotion
degree of semiotization
subject-semiotization
object-semiotization
self-differentiation