全球化视野中的地方知识书写:艺术符号学在民族艺术学中何为?

Local knowledge writing from the perspective of globalisation:What can art semiotics do in ethnographic art science?

艺术符号学可以分为元艺术符号学和门类艺术符号学两个研究层面,蕴含一般与特殊的辩证张力。民族艺术学是以民族为单位构想、梳理整个世界和整个人类艺术体系最为便捷的中介环节,是艺术学研究从特殊走向一般原理的桥梁。这在学理层面建立了艺术符号学与民族艺术学的逻辑联系。从全球化与地方知识的互动关系来看,全球化进程中的文化问题尤为凸显,地方文化的多样性是保持全球文化持久生机的必然要素,这是艺术符号学可以在民族艺术学中有所建树的当代语境。艺术符号学与民族艺术学的互动只有以社会学作为学科桥梁,以符号学与现象学的重构作为具体的方法论融合,才能在全球视野中更好地书写地方知识,让地方知识在全球化视野中获得更加广泛的认同,进而在文化层面共建人类命运共同体,共享艺术的人文关怀。

The study of art semiotics can be divided into meta-art semiotics and disciplinary art semiotics,reflecting the dialectical tension between the general and the particular.Ethnographic art semiotics is the most convenient intermediary link to conceive and structure the entire world and human art system in terms of nationality,forming a bridge from the particular to the general principles of art study.This establishes a logical connection between art semiotics and national art at the theoretical level.In the interactive relationship between globalisation and local knowledge,cultural problems in are particularly prominent.The diversity of local cultures is an essential element to maintain the lasting vitality of global culture,the contemporary context in which art semiotics can make an impact in ethnographic art studies.The interaction between art semiotics and national art science uses sociology as a disciplinary bridge and the reconstruction and integration of semiotics and phenomenology as a specific form of methodological fusion.The aim is to better consider local knowledge from a global perspective,make local knowledge more widely recognised in the global vision,and then build a community of human destiny at the cultural level and share the humanistic care of art.