作为一种“另类”的电影理论——以小津自述为中心

An“Alternative”Film Theory:Centered on Yasujiro Ozu’s Autobiography

“电影导演的电影理论”作为一条隐性的脉络潜藏于电影理论的发展之中,迄今的主流电影理论对这些大师、名导宝贵的自我经验总结要么忽视,要么就是片言只语。以日本电影导演小津安二郎为论题切入点,具体探究导演的自述与创作、理论与影像的贴合关系。可以看出,小津的日常化影像中包含着戏剧性的“偶然事件”,但他始终在自觉以内在情绪处理戏剧性的时刻,以“无文法”的形式营造出一种“感觉”。围绕导演自下而上的经验阐述展开系统、深入的探究,不仅有利于敞现电影大师们创作上的理论自觉,更是针对当下学术内卷化以及理论与创作脱节的一种补时性纠偏。

“Film director's film theories”,as a recessive context,is hidden in the development of film theory.So far,the mainstream film theories either ignore or rarely takes the spontaneous elaboration of film directors as a subject to study.The paper tries to take Yasujiro Ozu as the incision,integrates his own theoretical exposition,seeks the corresponding relationship between his autobiography and creation,theory and image.It can be seen that Ozu's routinized films contain dramatic“accidents”,but he always consciously handles dramatic moments with inner emotions,creating a“feeling”in the form of“no grammar”.Systematic and in-depth sorting and research on the exposition formed by the director from the bottom up,not only conducive to revealing the theoretical consciousness of film masters in their creation,but also a time-added correction for the involution of current theoretical research and the disconnection between theory and creation.