试论《小说神髓》对《源氏物语玉之小栉》的受容

Research on the Reception of the Essence of the Novel to the Story of Genji

明治维新后,随着西方文学的传入,文明开化的不断推进,给日本文学带来了深远影响。坪内逍遥(1895—1935)是此背景之下日本近代第一个以移入的西方文学理论与封建文学意识相对抗的启蒙主义者。诸多学者认为坪内逍遥的《小说神髓》正是在西方文学传入日本之时应际而生的。坪内逍遥不仅在《小说神髓》中直接引用了本居宣长(1730—1801)的《源氏物语玉之小栉》,而且在文学独立与写实主义文学主张上也与该文本有异曲同工之妙。该文将考证《小说神髓》对《源氏物语玉之小栉》的受容,旨在说明日本传统文学理念并未随波逐流而是固化为日本文学发展的内在逻辑逆流而上,日本近代文学是在坪内逍遥等一大批文学家继承日本传统文学基础上融汇创新的成果。

After the Meiji Restoration,with the introduction of western literature,the continuous advancement of civilization has brought far-reaching influence to Japanese literature.Under this background,Tinauchi Xiaoyao(1895—1935)was the first Enlightenment in modern Japan who opposed the feudal literary consciousness with the imported western literary theory.Many scholars believe that the Spirit of Fiction by Tsubauchi Xiaoyao was born when the western literature was introduced into Japan.Pinguchi Xiaoyao not only directly quoted the Tale of Genji(1730—1801)written by Benju Xuanchang in his novel,but also had some similarities with this text in terms of literary independence and realist literary advocacy.This article will research the novel essence of genji jade small comb of the capacitors,showing that the Japanese traditional literature idea did not go with the flow but curing for upriver internal logic of the development of Japanese literature,modern Japanese literature is within the plateau at large on the basis of inheriting traditional Japanese literature,a large number of writers of innovation achievement.