格桑次仁油画作品中的色彩构成因素探析

Analysis of the Color Composition Factors in Gesang CIRen’s Oil Paintings

格桑次仁以其特有的艺术实践,致力于运用西方油彩表现出具有中国形式、中国意境、中国精神的色彩语言,在众多表现西藏题材的油画作品中独具匠心。本文重点对画家在其艺术作品中的色彩构成因素进行研究与探讨。笔者认为在格桑次仁的油画作品中的色彩表现分为三个阶段:一是对法国印象派、巴比松画派以及西方现代主义艺术的学习与吸收;二是对西藏传统壁画、唐卡艺术及藏族传统审美风尚的思考与运用;三是对传统中国绘画艺术的顿悟与渐修。

With Gesang CIRen’s unique artistic practice,the painter is committed to using western oil paint to express the color language with Chinese form,Chinese artistic conception and Chinese spirit,and shows originality in many oil paintings with Tibetan themes.This paper focuses on the research and discussion of the color composition factors of painters in their works of art.The author believes that the color expression in Gesang CIREN’S oil paintings can be divided into three stages:First,the study and absorption of French Impressionism,Barbizon school and western modernism art;Second,the thinking and function of Tibetan traditional murals,Thang Ka art and Tibetan traditional aesthetic fashion;The third is the Epiphany and gradual cultivation of traditional Chinese painting art.