“带根的流浪人”——离散视域下的木心创作谈

“Rooted Wanderer”——Mu Xin’s Literary Creation from the Diasporic Perspective

木心大胆拥抱东西方文化的差异性,二十五年的离散生活让他充分体会式的异质文化的碰撞,实现了“绍兴希腊人”两重身份的统一。在对东西方文学进行了整体上的统摄之后,木心独树一帜地创造了西方式小诗与东方式悲剧。小诗取西方风物,涵欧美景致,注入东方的冲淡、蕴藉,随手拈来、不露痕迹。小说少牧歌式的咏叹,熔铸着更为沉重和深邃的古希腊式悲剧气息。木心的文学风格一再更新、生长、创造,最终表现出混杂、开放、丰沛的美学特征。

Mu Xin boldly embraced the differences between Eastern and Western cultures.Twenty-five years of living in isolation made him fully appreciate the collision of heterogeneous cultures and realized the unification of the dual identities of“Shaoxing Greeks”.After taking the overall control of Eastern and Western literature,Mu Xin created Western-style poems and Eastern-style tragedies in a unique way.The small poems take the scenery of the West,contain the scenery of Europe and the United States and inject the dilution and borrowing of the East.The novel is less madrigal and casts a heavier and more profound atmosphere of ancient Greek tragedy.During his exile,Mu Xin’s literary style was renewed,grown,and created again and again and finally showed a mixed,open and rich aesthetic.