楷书之祖钟繇书法研究现状述略(1990—2020)

A Brief Overview of the Current Situation of Calligraphy Research on Zhong Yao--The Founder of Regular Script (1990—2020)

以历代书论为代表的书法批评传统,形成了中国古代绵延不绝的“钟繇学”书法研究主线。近代以来西方艺术理论的传入为钟繇书法研究注入了新的活力。近四十年来涌现出大量研究钟繇及其书法的专著及学术论文,针对钟繇书法的产生背景、艺术特色、历史影响以及钟繇家族的政治活动、文化传承等方面开展了较为全面的专题研究。但现有之学术研究,对基础历史文献的整理、解读水平有待提升,针对具体细节的实证比对研究还较为匮乏,对现代美学理论的借鉴亦亟待加强。

Many calligraphers in ancient China have made many excellent comments on Zhong Yao’s calligraphy art. The introduction of Western art theory since modern times has injected new vitality into Zhong Yao’s calligraphy research. In the past 40 years, a large number of monographs and academic papers on Zhong Yao and his calligraphy have emerged. A relatively comprehensive special study has been carried out on the background, artistic characteristics, historical influence of Zhong Yao’s calligraphy, political activities and cultural heritage of Zhong Yao’s family. However, in the existing academic research, the level of interpretation of basic historical documents needs to be improved, and the research on specific details is still relatively lacking, and the reference to modern aesthetic theories also needs to be strengthened.