学术著作的话语建构方式--论刘保昌《地域文化视野中的两湖现代文学研究》

The Discourse Construction of Academic Works--Comment on Liu Baochang’s Research on Modern Literature of the Two Lakes in the View of Regional Culture

刘保昌的新作《地域文化视野中的两湖现代文学研究》一定程度上开拓了中国现当代文学地域研究的疆域,构建了创作实践与理论研究相结合的学术著作话语方式。作者通过“感觉文化区”的概念确定了地域文化的研究边界,强化了两湖文化与传统中国文化的血脉关系。在结构上,作者采用了时空融合的述史方式,对两湖文学进行整体观照,建立起两湖现当代文学研究谱系。由于作家和学者的双重身份,刘保昌的文学批评具有强烈的个性化色彩,不仅能与作家产生超越时空的精神碰撞,更在语言上兼具学理性与诗性,呈现出一幅生动活泼而又秩序井然的两湖文学地图。

Liu Baochang’s Research on Modern Literature of the Two Lakes in the View of Regional Culture,to some extent,expands the territory of regional studies of modern and contemporary Chinese literature,and constructs a discourse mode of academic works that combines writing practice with theoretical research.The author determines the research boundary of regional culture through the concept of“sensory cultural area”,connects the blood relationship between the two lakes culture and traditional Chinese culture.In terms of structure,the author also adopts the historical narrative method of time and space integration to take a holistic view of the two lakes literature,and establish a research pedigree of modern and contemporary literature of the two lakes.Due to his dual identity as a writer and a scholar,Liu Baochang’s literary criticism has a strong personalized color,which not only produces spiritual collision beyond time and space with the writers,but also combines academic rationality and poetic feature in language,presenting a lively and well-ordered literary map of two lakes.