从《建党伟业》到《1921》:建党题材电影叙事艺术的传承与创新

Inheritance and Innovation of Party Founding Movies Narrative Art:From Beginning of The Great Revival to 1921

作为近十几年中国主旋律影片的代表人物,黄建新用一部《建党伟业》创造了建党题材电影的商业奇迹。《1921》一方面传承《建党伟业》写实与写意相结合的美学风格,以零聚焦叙事俯瞰全局,通过象征化、戏剧化的叙事艺术塑造出立体化的革命英雄群像;另一方面创造性地将党史故事置于国际视野之下,以青春化的个体叙事为依托,用更具“烟火气”的方式将特定时空截面下的党史娓娓道来,呈现了革命英雄生命的本真状态,也更符合当下观影者的情感体验。分析《1921》对《建党伟业》电影叙事艺术的传承与创新对我国建党题材电影的发展具有重要的启示意义。

As a representative of Chinese theme films in the past ten years,Huang Jianxin created a commercial miracle of party-themed films with the great Beginning of the Great Revival.On the one hand,the film 1921 inherits the aesthetic style of the combination of realism and freehand brushwork in Beginning of the Great Revival,overlooks the situation with zero-focus narration,and creates three-dimensional revolutionary heroes through symbolic and dramatic narrative art.On the other hand,the story of Party history is creatively placed under the international perspective,with a youthful individual narrative,and narrated in a more“pyrotechnical”way under the specific time and space section of the Party history,presenting the true state of the revolutionary hero s life,which is also more in line with the emotional experience of the current audience.The analysis of the inheritance and innovation of narrative art of 1921 to Beginning of the Great Revival is of great enlightenment significance to the development of party-themed films in China.