摘要
鲁迅在《补天》中借女娲造人的神话叙述人之缘起,通过想象确定了立人的起点及原人的形象。女娲造人故事中神与人的相互生成及人之堕落呈现了立人与自立的辩证关系:从立人走向人立,自立是关键。此外,富有创造精神的女神形象的塑造,也照亮了中国文学女性叙述的理想空间。
Lu Xun tries to narrate the origin of the human being in his historical novelMending the Skyand fixes the startingpoint of the nurturing man and the image of the primitive man. It embodies the dialectical relationship through the mutual generation be-tween the Goddess and the human being in the storyNu Wa Made Human Being.The self-reliance is the key to going from nurturingman to becoming fully-grown. The naked Goddess lights the ideal space of the female narrative in Chinese literature.
出处
《华南师范大学学报(社会科学版)》
CSSCI
北大核心
2022年第5期185-193,208,共10页
Journal of South China Normal University:Social Science Edition
关键词
鲁迅
《补天》
造人
立人思想
Lu Xun
Mending the Sky
creating man
thought of nurturing man