杨慎在滇时期的石刻创作及文学特点

Yang Shen’s Stone Carving Creation and Literary Characteristics in Yunnan

明代四川新都人杨慎因政治风波谪戍云南,居滇三十余年中,足迹遍布滇云名山大川,留下数量可观的石刻文字,粗略统计有二十余处。在云南山水风俗的熏染下,升庵或于石刻中寄情山水,以史明志;或与云南文士交游酬唱,抚慰心灵;或关心民生,重视教化,始终充满“他乡即故乡”的亲切之感。从文学艺术来看,既有充满情感流动之作,又有辞藻华丽的铺陈之作,显示出升庵文学的多样性。升庵及其石刻作品于云南而言,已成为一种兼容并蓄之文化符号,象征着中原与边疆和谐发展之美好愿望。

Yang Shen,a native of Xindu in Sichuan during the Ming Dynasty,was relegated to Yunnan due to political turmoil,and lived there for more than thirty years,covering the mountains and rivers of Yunnan,leaving behind a considerable number of stone inscriptions,more than twenty at a rough count.In Yunnan,under the influence of the landscape and customs,Sheng’an either sentimentalized the landscape in the stone inscriptions,using history to express his will;or mingled with Yunnan scribes and sang to soothe the soul;or cared about people’s livelihood,attaching importance to education,always full of"other country being the hometown"a sense of affection.From the point of view of literary art,there are works full of emotional flow,as well as gorgeous rhetorical works,showing the diversity of Yang Sheng’s literature.For Yunnan,Sheng’an and his stone inscriptions have become a cultural symbol of tolerance and inclusion,symbolizing the harmonious development of the Central Plains and the frontier.