近代骈体批评演进形态略论

On the Evolution of Modern Parallel Style Criticism

骈文自清中期复兴一直持续至民初,这是骈文相对繁兴的一个时期。此一时期文章观念论争中,主骈一派将尊骈发挥到极致,定位骈文为文类“正宗”;同时,力排骈体的古文一派对待骈文的态度也有所缓和,肯定骈文的文体价值,意欲融通骈散以提高文章创作技法与品位。整体上看,近代骈体批评沿骈散关系的演变发展渐次展开——对立与相争,融通与合一,交织演绎的逻辑脉络中相应的文体批评话语以层垒方式不断繁殖;在沿承清代骈体批评理论框架的基础上,以文位演进为主导,于文体制式、文体风格方面又有了新的话语生成和结构性新变,为骈文这种中国传统标志性文体的批评理论作出了一个具有时代变局性特征的独特收束。

Parallel prose flourished from the middle of the Qing Dynasty to the beginning of the Republic of China.In the debate on the concept of this issue of articles,the main parallel school will give full play to the extreme of respecting parallel prose and position parallel prose as the "authentic" of literary category;At the same time,the ancient prose school,which focuses on parallel prose,also eases its attitude towards parallel prose,affirms the stylistic value of parallel prose,and intends to integrate parallel prose in order to improve the writing skills and taste of the article.On the whole,the modern parallel style criticism develops gradually along the evolution and development of the relationship between parallel and prose-in the logical context of opposition and struggle,integration and unity,and intertwined deduction,the corresponding stylistic criticism discourse continues to reproduce in a layered way;On the basis of inheriting the theoretical framework of parallel style criticism in the Qing Dynasty,led by the evolution of text position,there have been new discourse generation and structural changes in style system and style,which has made a unique end with the characteristics of the changing situation of the times for the criticism theory of parallel style,which is a traditional landmark style of China.