当阳玉泉--袁中道笔下的“居家”景观与文化场域

Dangyang Yuquan:the"Staying at Home"Landscape and Cultural Fieldin Yuan Zhongdao's Works

当阳玉泉,作为一个城市景观,具有浓厚的佛教和关羽信仰氛围,从自然与人文两个层面构成了当地的整体景观;作为袁中道的居家生活空间,当地的局部景观借由袁中道在景观内的文学活动,构成以袁中道为主体的“场”。当阳玉泉与京城西山玉泉,两处对照,是袁中道居家与居京时期的相互对比,完成了从公共社会空间到个人生存空间的过渡。袁中道以自己的生命历程赋予了当阳玉泉的这一自然人文景观新的意义。

Dangyang Yuquan as a city is fantastic in its natural landscape and has an atmosphere of Buddhism and Guan Yu belief and the local landscape is formed at the natural and human levels. As the life space of Yuan Zhongdao, the local landscapes form the reticular structure and make up the "filed" with Yuan Zhongdao as subject through Zhongdao within the landscape. A comparison between staying at home and being an official in the capital may find that the landscape "Yuquan" has completed transition from public social space to individual living space. Yuan Zhongdao gives new meaning to Dangyang Yuquan’s natural human landscapes with his life experience.