媒介与“出位之思”——里希特照片绘画解读

Medium and “Andersstreben”:an Interpretation of Gerhard Richter’s Photo Paintings

里希特的照片绘画是典型的“出位之思”,是一种艺术媒介对另一种媒介的向往与模仿。在20世纪60年代,画家创作照片绘画,成功地借用了照相机的机械性和摄影的媒介特点,体现出他的艺术创造力,同时也是对当时绘画本位思潮的反思。

Gerhard Richter’s photo paintings,typical of "Andersstreben",are a pursuit and imitation of an art medium for another medium.In the 1960 s,Richter created photo paintings,which successfully fused mechanical features of cameras and the medium feature of photography,demonstrating his artistic creativity and representing his reflection upon painting-oriented thoughts back then.