艺术乡建参与者的主体融合与共生

Subject Integration and Symbiosis of the Participantsin Art Village Construction

近些年来,由于艺术的“社会介入性”逐渐受到各界关注,艺术越来越多地参与和嵌入乡村振兴之中。“艺术乡建”的不同参与者基于自身的需要及利益和环境的重构性,以不同的主体身份与其进行对话与互动。在乡村振兴成为国家战略的时代背景下,政府成为艺术乡建纵向的上层主体,依循一种内在逻辑进行乡村治理和城乡边界融合的多维调度;艺术家、各类社会机构等其他横向外部参与主体,有其“介入”与“融入”的路径差异;本地村民在艺术乡建中拥有天然的内生动力,其主体性地位也在不断地被强化。明晰当前艺术乡建不同参与者的动因和逻辑,对其“主体性”和“主体间性”进行综合把握,提升其主体的能动性,以理性对话方式使其回归价值理性,可以形成艺术乡建多元主体理想的共生场域。

In recent years, due to the fact that “social intervention” of art has gradually attracted attention from all walks of life, art is more and more involved in rural revitalization. Different participants of art village construction, based on their own needs and interests, as well as the reconfiguration of the environment, engage in dialogue and interaction in the villages. In the context of China’s strategy of rural revitalization, government has become the upper subject at the vertical level of art village construction, and it follows an internal logic to conduct rural governance and urban-rural boundary integration with multi-dimensional scheduling. In the art village construction, artists, various social institutions and other external participants take part in rural revitalization with differentiated paths of “intervention” and “integration”. Local villagers have a natural endogenous power in the art village construction, and their subject position is constantly being strengthened. In order to form a multi-subject ideal symbiotic field of art village construction, two points are important: firstly, make clear the motivation and logic of different participants in current art village construction, and comprehensively grasp its “subjectivity” and “inter-subjectivity”;secondly, enhance the initiative of the subjects and make them return to value rationality through rational dialogue.