宋磁州窑化妆土装饰技艺杂考与实践方法初探

A Brief Analysis of the Origin,Miscellaneous Textual Research and Practical Methods of the Decorative Skills of Engobe in Cizhou Kilns in Song Dynasty

以磁州窑为代表的宋代北方民窑体系的陶瓷纹绘装饰的出现,标志着中国陶瓷从单一釉色装饰向彩绘装饰的过渡,为中国彩瓷的发展准备了工艺、质料和技术人才方面的充分条件,并对古代朝鲜、日本的陶瓷发展产生了深刻的影响和启迪。今天,对不可多得的非物质文化遗产宋磁州窑系所开创的多样性装饰技艺的保护与传承,应在整理和重新认识的基础上才能更好地进行创新。文章通过梳理史料、管窥近现代国外学者杂考个案和宋磁州窑技术输出产生的文化现象来论证宋磁州窑的历史形象,并以案例探讨传统化妆土技法在当代艺术语境中的实践方法转化。

The appearance of ceramic pattern decoration in northern folk kiln system in Song Dynasty,represented by Cizhou kiln,marked the transition of Chinese ceramics from single glaze decoration to painted decoration,prepared sufficient conditions for the development of Chinese colored porcelain in terms of technology,materials and technical talents,and had a profound influence and enlightenment on the development of ceramics in ancient Korea and Japan.Today,the protection and inheritance of diversified decorative skills initiated by Song Cizhou Kiln System,a rare intangible cultural heritage,should be better innovated on the basis of sorting out and re-understanding.This paper demonstrates the historical image of Song Cizhou kiln by combing historical materials,looking at the miscellaneous cases of foreign scholars in modern times and the cultural phenomena produced by the technical export of Song Cizhou kiln,and probes into the transformation of the practical methods of traditional engobe skills in the contemporary art context with cases.