梅西安色彩和弦的理论与应用

The Theory and Application of Messiaen's Invented Chords

以往有关梅西安色彩和弦的研究主要是对色彩和弦进行梳理并作纵向结构上的分析,但对其在横向上与调式关系的研究则不多见,或只说明了梅西安创作前期常用的4种色彩和弦与某一调式的关系。在前人研究的基础上,通过对9种色彩和弦的结构梳理,解析梅西安创作后期常用的5种色彩和弦在横向上与有限移位调式的关系,并结合这9种色彩和弦在其作品中的实际应用,论述其结构的异同之处。

Messiaen's invented Chords have been discussed by many scholars like Yang Liqing,Zheng Zhong and Cheong Wai-Ling.Their analyses are more focused on structure of the chords rather than the relation between the chords and modes of limited transposition,or just illustrate the relation between Messiaen's four frequently used chords in his earlier compositions and a certain mode of limited transposition.Through studying the structures of Messiaen's nine invented chord,the article expounds on how five of the invented chords which were frequently used in his later works are related with modes of limited transposition.And the article also illustrates how the chords'structures vary based on the investigation of the practical uses of the nine Messiaen's invented chords in his works.