摘要
5G时代下,以媒体终端为导向的数字化产业蓄势勃发,为文化遗产的保护与传承创造了新机遇。为深化响堂山石窟文化的挖掘阐释,助推中华石窟文化遗产的展示传播,文章以叙事学理论为基础,运用文献综述法、田野调查法和实践性研究法,探寻响堂山石窟装饰图像与历史文化间的关联,解读图像成因。采用“文遗+媒介”“共享+体验”的创新发展模式,延续响堂山石窟文化基因。通过构建响堂山石窟动态可变式图形应用体系,拓宽石窟历史文物的传播途径与应用领域,实现响堂山石窟文脉内核的演绎创新。分别从设计层、宣传层、体验层3个维度进行动态可变式图形的数字化创新与应用实践,拓宽文化遗产活化路径的同时迎合了新媒体语境的传播形式。
In the 5G era,the media terminal oriented digital industry is poised to flourish,creating new opportunities for the protection and inheritance of cultural heritage.In order to deepen the excavation and interpretation of the Xiangtangshan Grottoes culture and promote the display and dissemination of the Chinese grotto cultural heritage,the article,based on the theory of narratology,uses the methods of literature review,field research and practical research to explore the relationship between the decorative images of Xiangtangshan Grottoes and historical culture,and interpret the causes of the images.The innovative development mode of“cultural heritage+media”and“sharing+experience”is adopted to continue the cultural gene of Xiangtang Mountain Grottoes.Through the construction of the dynamic and variable graphic application system of the Xiangtangshan Grottoes,the communication channels and application fields of the historical relics of the grottoes are broadened,and the interpretation and innovation of the cultural core of the Xiangtangshan Grottoes are realized.The digital innovation and application practice of dynamic variable graphics are carried out from the three dimensions of design layer,publicity layer and experience layer respectively,which broadens the activation path of cultural heritage and caters to the communication form of the new media context.
作者
倪春洪
许妍娜
NI Chun-hong;XU Yan-na(School of Art,Tiangong University,Tianjin,300387)
关键词
图像叙事学
响堂山石窟
文化遗产
动态可变式图形
数字化
Image Narratology
Xiangtangshan Grottoes
Cultural Heritage
Dynamic Variable Graphics
Digitization