论巴迪欧的艺术真理观

On Badiou’s View of Artistic Truth

巴迪欧受到拉康精神分析学的深刻影响,他在拆解了艺术、美学和哲学的联结后,宣告了艺术与真理的新关系,即艺术是真理的程序。巴迪欧借鉴了拉康关于实在界与象征界的拓扑关系,系统阐发了其事件哲学中一与多、虚无与事件的本质联系,并认为艺术哲学要处理的就是实在界之真实与象征界之伪饰的关系。由此而论,艺术本质在于实在界与象征界、真实与伪装之间的建构与解构的张力。艺术既是实在界之象征化的结果,也是打破象征界,遭遇实在界之真实的过程,而巴迪欧认为后者就是真理事件在艺术作品中的产生程序。

Badiou was deeply influenced by Lacanian psychoanalysis.After disconnecting art,aesthetics and philosophy,he declared a new relationship between art and truth,that is,art embodied the procedure of truth.Bardiou drew on Lacanian topological relationship between the real world and the symbolic world,systematically expounded the essential relationship between one and many,nihility and events in his philosophy of events,and believed that the philosophy of art should deal with the relationship between the reality of the real world and the hypocrisy of the symbolic world.Therefore,the essence of art lies in the tension of construction and deconstruction between the real world and the symbolic world,and between reality and disguise.Art is not only the result of the symbolization of the real world,but also the process of breaking the symbolic world and encountering the reality of the real world,and Badiou believes that the latter is the production process of truth events in art works.