品茗赏梅——论吴昌硕紫砂茶画中的审美意蕴

Tasting Tea and Appreciating plum and on the Aesthetic Implication of Wu Changshuo’s Zisha Tea Painting

在清代文人画中,茶画的身影并不少见。作为海上画派的领军人物,吴昌硕先生以篆籀的笔法“以书入画”,其紫砂茶画也具有丰富的审美意蕴。笔者结合吴昌硕“画气不画形”等绘画美学思想对其紫砂茶画本身章法布局以及绘画技巧所构成的画面形式之美进行了分析,并在此基础上更有深度地解读吴昌硕紫砂茶画中的审美意蕴。

In the literati paintings of the Qing Dynasty,tea paintings are not uncommon.As a leading figure of the maritime painting school,Mr.Wu Changshuo Uses Calligraphy to Paint with the brush of Zhuan Zhen,and his purple sand tea painting also has rich aesthetic connotation.The article will combine Wu Changshuo's painting aesthetic ideas such as Painting Qi but not Painting Form to analyze the beauty of the composition and layout of his purple sand tea painting itself and the picture form formed by his painting skills,and on this basis,interpret the aesthetic connotation revealed by Wu Changshuo's purple sand tea painting in more depth.