“祛魅”视域下马华文学的后现代实践--以黄锦树的文学创作为例

The Postmodern Practice of Malaysian Chinese Literature from the Perspective of"Disenchantment":Taking Ng Kim Chew's Literary Creation as an Example

作为出走南洋、遥居台湾的“马华旅台作家群”中的一员,黄锦树一直批判马华文学的现实主义主流,以偏激的艺术姿态扮演着前卫变革的文学角色,倡导后现代文学审美品格。黄锦树的小说荒诞、现代、神秘、吊诡,祛“唯现实主义文学”之魅,以文学创作支援自己的文学批评,为当代马华文学开辟了另一种可能的实践,成为不可忽视的“黄锦树现象”。“黄锦树现象”背后隐藏的正是马华文学现实主义传统力量和现代主义变革声音的龃龉。

As a member of the"Malaysian Chinese literature Writers Group in Taiwan"who left Nanyang and lived far away in Taiwan,Ng Kim Chew has been criticizing the mainstream of realism in Malaysian Chinese literature,playing an avant-garde and revolutionary literary role with an extreme artistic attitude,and advocating the aesthetic character of post-modern literature.Ng Kim Chew's novels are absurd,modern,mysterious,and paradoxical,dispelling the charm of"only realistic literature",and supporting his literary criticism with literary creation,opening up another possible practice for contemporary Malaysian Chinese literature,and becoming an"Ng Kim Chew phenomenon"that cannot be ignored.What lies behind the"Ng Kim Chew Phenomenon"is the discord between the traditional power of Malaysian Chinese realistic literature and the voice of modernist change.