明代中晚期传统绘画与城市文化空间形制研究

Research on the Traditional Painting and Urban Cultural Space Form in the Middle and Late Ming Dynasty

明代中晚期传统绘画艺术对城市文化空间形制的表达有着独特的历史秩序。以明代中晚期商业繁盛的城市之一南京城为例,通过研究明代中晚期的传统绘画《南都繁会图卷》的绘画与图像的问题、绘画自身的叙事内容、传统节庆元素等方面,采用对明代中晚期城市空间形态和视觉元素进行提取分析的研究方法,试图呈现出绘画艺术与社会现实的关系问题,进一步找到城市文化的内在秩序,为下一步研究中国传统城市文化形态内容奠定基础。

The traditional painting art in the middle and late Ming Dynasty has a unique historical order in the expression of urban cultural space.Taking Nanjing City,one of the prosperous commercial cities in the middle and late Ming Dynasty,as an example,this paper attempts to present the relationship between painting art and social reality by studying the painting and images,narrative content,and traditional festival elements of the traditional painting Nanjing Pageant Painting in the middle and late Ming Dynasty,and using the research method of extracting and analyzing the urban spatial form and visual elements in the middle and late Ming Dynasty.Furthermore,it strives to further discover the internal order of urban culture and thereby lay a foundation for the future study of Chinese traditional urban cultural form.