摘要
设计的本质与文化息息相关。受中国佛教文化的“缘起说”和西方存在主义现象学的启迪,构建设计的因缘论,以期对设计进行深入、系统的阐释。设计是一种“缘”创过程,设计是人缘、物缘、生缘、时缘、形缘、和缘的建构过程,应该力求做到求真、求新、求善、求变、求美、求存共生。万物因缘和合,因缘道器,设计要做到“精于事因、巧在物缘”。
The essence of design is closely related to culture.Inspired by the“theory of origin”of Chinese Buddhist culture and the phenomenology of existentialism in the west,this paper constructs the theory of karma of design,so as to make a thorough and systematic explanation to design.Design is a process of creating"relationship",and a construction process of human relationship,material relationship,environment relationship,time relationship,shape relationship and harmony relationship.Therefore,design should strive to seek truth,novelty,goodness,change,beauty and coexistence.Because of karma,everything is coexistent and harmony,the phenomenon and essence are unified,which prompts us to seek“interrelation and conditions”in process of design.
出处
《家具与室内装饰》
北大核心
2022年第10期17-21,共5页
Furniture & Interior Design
基金
湖南省创新平台开放基金(20K045)。
关键词
因缘
佛教
文化
原创
设计
Karma
Buddhism
Culture
Originality
Design