摘要
传统人类中心主义思想中,人类占据主导地位,动物被视为他者。在现当代文学作品中,人类与自然的对话经历了破碎和重构的过程。英国诗人特德·休斯发挥文学想象来书写动物,阐释了人类世语境下动物话语对人类自我身份构建的作用。通过四重视象的动物转向与动物神启下的共同体想象,休斯对人类自我存在与大自然的协同共生进行了形而上的哲学思辨。休斯尝试以更全面的视角审视人类社会发展中的生态伦理矛盾,试图弥合人与动物之间的裂痕,实现人与自然的和谐共融。这种诗意的思考体现了诗人独特的诗歌审美价值观和生态伦理观。
In traditional anthropocentrism,humans are dominant and animals are regarded as“the other”.In modern and contemporary literary works,the dialogue between human beings and nature has undergone a process of breaking down and reconstruction.Ted Hughes,the contemporary British poet,expounds the role of the animal discourse in the construction of human beings'identity in the Anthropocene by his animal writing through his literary imagination.With the animal turn in the fourfold vision and the community imagination divinely inspired by animals,Hughes makes metaphysical as well as philosophical reflections upon the coexistence between human beings and nature.Hughes examines the conflicts of ecological ethics in the development of human society from a more comprehensive perspective,and tries to bridge the gap between man and animals,to achieve the harmony and integration between man and nature.These poetic reflections embody his unique aesthetic and ethical approach to poetry and ecology.
作者
王改娣
严云霞
WANG Gaidi;YAN Yunxia(School of Foreign Languages,East China Normal University,Shanghai 200241,China)
出处
《山东外语教学》
北大核心
2022年第5期88-96,共9页
Shandong Foreign Language Teaching
基金
国家社科基金重大项目“英国文学的命运共同体表征与审美研究”(项目编号:19ZDA293)的阶段性成果。
