人工智能电影中人机共处状态的审美技术之维

The Dimension of Aesthetic Technology in the Coexistence of Human and Machine in Artificial Intelligence Movies

从黑格尔主奴辩证法以及拉康的镜像理论来看,人工智能电影中人机关系是互动与转化的,人类对人机关系充满怀疑与焦虑,产生这种心理的深层原因便在于智能技术的无度发展。结合海德格尔的技术哲学观,并联系实际生活,即人工智能电影中将人机共处作为其主要的叙事模式,通过表现不同的人机共处状态,反映出人类对人机关系以及智能技术发展不同阶段的思考。由此看出智能技术对于人类生活促逼式的解蔽方式。所以,人类需要对人工智能技术的发展进行整体考量,每一步都要慎之又慎,勿使人类成为技术过度发展下的殉葬品。

From the perspective of Hegel’s master-slave dialectics and Lacan’s mirror image theory,the human-machine relationship in artificial intelligence films is interactive and transforming,and humans are full of suspicion and anxiety about the human-machine relationship.It lies in the inexhaustible development of intelligent technology.Combining Heidegger’s technical philosophy and practical life,we can see that intelligent technology has a decisive way to unblock human life.Therefore,humans need to consider the development of artificial intelligence technology as a whole.One must be careful and careful not to make human beings a burial product under the excessive development of technology.