从壁画到舞台:敦煌舞的形态溯源与再造

From Mural to Stage:Form Tracing and Reconstructing of Dunhuang Dance

近年来国家践行“一带一路”倡议,鼓励文化多样性,敦煌这一凝聚人类思想文明的宝库再次成为焦点,而集历代艺术家智慧,去粗存精提炼出的敦煌舞,更是成为当今中西文化交流融通的使者。该文立足新时代民族优秀文化艺术的发展,以敦煌舞的艺术特征为研究对象,从多种角度对敦煌舞的“原生性”和“再生性”的形式与内容、方式与途径、意义与价值进行分析,力求通过应用研究对敦煌舞的传承教学与创新发展提供更多有益的思路与方法,为民族优秀的文化艺术“走出去”及彰显文化的自信力提供可行的实践路径。

In recent years,the country has adopted the Belt and Road Initiative and encouraged cultural diversity.Dunhuang,a treasure house of human civilization,has once again become the focus.The Dunhuang dance,which integrates the wisdom of artists of all ages and refines the essence,has become the messenger of today's cultural exchange and integration between China and the West.Based on the development of excellent national culture and art in the new era,this paper takes the artistic characteristics of Dunhuang dance as the research object,analyzes the form and content,ways and means,significance and value of the"original"and"regenerative"of Dunhuang dance from various angles,and strives to provide more useful ideas and methods for the inheritance,teaching and innovative development of Dunhuang dance through applied research.It provides a feasible practical path for the national excellent culture and art to"go out"and highlight the cultural self-confidence.