摘要
戴复古《论诗十绝》形成于南宋特有的文化语境中,即事名篇,自创新题,内涵多重而主体自具,是继杜甫《戏为六绝句》之后的新收获。戴复古自觉地、多角度、多方位地尝试以论诗的形式探索诗歌(偶尔及词)创作规律与美学原则,展示兼容并包的诗学理念,在本体论、审美性等方面都有独特见解,对后世有较大影响。
Dai Fugu's"Ten Quatrains on Poetry"was formed in the unique cultural context of the Southern Song Dynasty.It is famous for its using events to name a poem,its multiple connotations and self-contained subjects.It is a new samplet after Du Fu's"Joking Remarks on Six quatrains".Dai Fugu consciously explored the laws and aesthetic principles of poems(and occasionally Ci)writing in the form of polemics from multiple angles and directions,demonstrating an inclusive poetic philosophy,with unique insights in ontology and aesthetics,which had a great influence on later generations.
出处
《杜甫研究学刊》
2022年第4期94-102,共9页
Journal of Du fu Studies
基金
“浙江文化研究工程”(22WH04-1Z)阶段性成果。
关键词
戴复古
《论诗十绝》
论诗诗
诗学史
杜甫
《戏为六绝句》
Dai Fugu
"Ten Quatrains on Poetry"
poems on poetics
poetics history
Du Fu
"Joking Remarks on Six quatrains"