作为时尚媒介的博物馆——一项基于个案的研究

Museum as a Fashion Media:A Case-Based Study

近三十年来博物馆日益成为当代时尚传播的重要媒介,这种文化创新实践源于“新”时尚史与“新”博物馆学的兴起。前者将时尚视作观念文本与物质实践的统一整体,后者则力求破除娱乐、教育二分法的传统展览理念,两者结合促成了博物馆参与并推动了当代时尚体系视觉和文本信息的生产与流通。本文以质性研究中的个案研究为方法,选取“Fashion in Motion”“China:Through the Looking Glass”,以及“侯赛因·卡拉扬:群岛”(上海展)三个个案,尝试回答作为时尚媒介的博物馆,对时尚的后现代转型以及时尚史的研究产生了怎样的影响。

Using museums as a media for Modern Fashion Communication has been increasingly trending in the past three decades.This form of cultural innovation originated from the rising practice of the new Fashion History along with the new museology.In the new fashion history,conceptual text and material practice are united to be seen as one.While the new museology aims to eliminate the divide between entertaining and educational aspects in the traditional exhibition theory.These two factors combined nudged museums to join and push the production and circulation of the modern fashion system and text.“Fashion in Motion”,“China:Through the Looking Glass”,and“Hussein Chalayan:Archipelago”are selected and analyzed using qualitative methods in this research.These three case studies will answer the question of how museums as a media for Fashion Communication affect the post-modern shift of fashion and the study of Fashion History.