摘要
新石器时代彩陶中蛙纹样特有的造型和吉祥的寓意体现了中华民族独特的文化内涵,文章从多维度衍生开发需求入手,将原始先民在制作彩陶器皿时,有意识或无意识地创作加入以蛙纹为代表原始审美趣味的图案注入新的内涵进行传播。分析彩陶蛙纹的二方连续纹样设计法则,研究原始艺术作为一种有意味的形式所包含特定的社会情感和文化意识,在以蛙纹为主的典型纹样的分解、重组及延展设计等方面分析研究纹样的创新与应用,深入挖掘蛙纹装饰属性表象之下的文化属性和更深层次的精神满足。
Frog in the neolithic pottery grain appearance peculiar modelling and auspicious implies embodies the unique cultural connotation of the Chinese nation,the article,from the perspective of the multidimensional derivative development requirements,the original ancestors in the production of painted pottery vessels have a conscious or unconscious creation to join the original aesthetic interest represented by frog grain pattern propagated inject new connotation.Analysis of painted pottery frog grain square continuous pattern design rule,the primitive art as a kind of meaningful form contains specific social emotion and culture consciousness,the typical pattern decomposition is given priority to with frog grain,restructure and extension design of innovation and application patterns of the analysis and research,in-depth excavation of the frog grain decoration properties under cultural attributes and deeper spiritual satisfaction.
作者
杨彩虹
YANG Caihong(Xi'an Siyuan University,Xi'an 710000,China)
出处
《鞋类工艺与设计》
2022年第17期81-83,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
蛙纹
二方连续纹
文化因子
元素提取
创新设计
frog pattern
two-sided continuous grain
element extraction
innovative design