摘要
“80后”有着属于他们那个年代的特殊文化记忆和经验。童年时期的动画片对“80后”群体来说更是一种独特的文化符号,承载着对消逝的童年的特有文化记忆。“80后”怀旧记忆不再是单独的个体情感的抒发,而是一种集体记忆的文化现象,他们通过集体的文化记忆实现的自我认同主要体现在两个方面:一是建构了自我的身份认同,二是建构了一种代际的群体身份认同。“80后”群体影像怀旧的身份认同建构有着更深刻的话语隐喻,它是代际身份认同建构中断裂话语的隐喻表征,同时也是身份认同建构中反思性审美救赎话语的隐喻表征。
The“post-80s”generation have special cultural memories and experiences belonging to their era.Childhood images are a unique cultural symbol for the“post-80s”group,carrying the unique cultural memory of the lost childhood.The nostalgic memory of“post-80s”is no longer a single expression of individual emotion,but a cultural phenomenon of collective memory.Their self-identity realized through collective cultural memory is mainly reflected in two aspects:one is the construction of self-identity;the second is the construction of inter-generational group identity.The construction of identity of“post-80s”group image nostalgia has a deeper discourse metaphor,which is the metaphorical representation of fractured discourse in the construction of generational identity,as well as the metaphorical representation of reflective aesthetic salvation discourse in the construction of identity.
作者
杨向荣
YANG Xiang-rong(College of Literary Criticism,Hangzhou Normal University,Hangzhou 310018,Zhejiang)
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2022年第5期148-156,共9页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金项目“图文的叙事建构及其话语隐喻研究”(20BZW027)
国家社会科学基金重大项目“新时代中国特色美学基本理论问题研究”(18VXK010)。
关键词
“80后”
动画片
怀旧书写
文化记忆
认同话语
“post-80s”
animation
nostalgia writing
cultural memory
identity discourse