《我不是药神》《辩护人》互文性分析

On the Intertextuality in“Dying to Survive”and“The Attorney”

《我不是药神》《辩护人》作为两部反映个人与社会关系的电影作品,在电影形式与电影文本内容上具有较明显的互文性。文章采用互文性相关理论视角和方法,分析了两部作品的取材、叙述风格、人物塑造和现实意义,以求探寻它们在各自创作中把握题材的有效途径,通过分析具体电影文本的审美价值、艺术追求,理解其在相关电影文本网络中的独特价值和创造性意义。

“Dying to Survive”and“The Attorney”are two films that reflect the relationship between individuals and society,and they have a clear intertextual relationship in terms of film form and textual contents.The article intends to use theoretical perspectives and analytical methods related to intertextuality to analyze the material,narrative style,characterization,and realistic meaning of the two works to find effective ways to grasp the subject matter in their respective creations,analyze the aesthetic value and artistic pursuit of the specific film texts,and understand the unique value and creative significance of the corresponding film texts in the network of related film texts.