论佛教色空观对废名创作的影响——以废名20世纪30年代的新诗为例

The Influence of Sunyata and Rupa on Fei Ming’s WritingTa——king Fei Ming’s New Poems in the 1930s as an Example

废名深受佛教色空观的影响,在创作中形成独特的“空观”方式,即以缘起性空之理观“物”,照破“物”的实体性假象,只将其作为宛然存在的“相”去体会和欣赏。这在废名20世纪30年代的新诗中有集中体现。废名诗中的意象脱离具体的时空限定,作为“相”被孤立出来并任意组合成新的意境,呈现出空灵幻美之感。诗中的典型意象,体现了废名在色空意识下超越生死,对纯粹的“美”作凝神观照的忘我境界。

Fei Ming has been strongly influenced by Sunyata and Rupa, which builds a unique "Emptiness view" in his literary works, that is, observing objects through the theory of Dependent Origination and the Emptiness of Nature, realizing that the entities of objects are illusory, and just appreciating their phenomena as if they exist. It is embodied in Fei Ming’s new poems in the 1930s. The images in Fei Ming’s poems are free from space and time, and as isolatod illusions arbitrarily combined into new artistic concepttions, presenting a sense of ethereal and magic beauty, The typical images in Fei Ming’s poems embody that Fei Ming transcends life and death under the sense of Sunyata and Rupa, and is attentive to pure "beauty" in the realm of self-forgetfulness.