电影《奇迹·笨小孩》的空间叙事策略

The Spatial Narrative Strategy of the Movie Nice View

作为一部标准的现实题材型影片,《奇迹·笨小孩》延续导演文牧野小人物悲喜剧的影像策略,显现出新时代“平凡宇宙”下温暖的情感弧光。影片实拍镜头下更注重对于在场多元空间的形塑,在现实生活与电影空间的多维交错中完成了影片的空间叙事。电影以独具张力的空间叙事策略贯穿始终,通过构设城市地理空间、社会生活空间与符号表意空间等多重空间维度,来完成深圳城市镜像的个性化阐释,以及对底层个体命运的深层观照,从而让整部影片折射出别样的空间魅力与文化意蕴。

As a standard realistic film,Nice View continues director Wen Muye’s strategy of tragicomedy for small people,revealing a warm emotional arc in the "ordinary universe" of the new era.The film’s spatial narrative is completed by the multi-dimensional interplay of real life and cinematic space,with more emphasis on the shaping of the multiple spaces present in the actual shots.It uses a unique spatial narrative strategy throughout the film.And through the construction of multiple spatial dimensions such as urban geographic space,social life space and symbolic representation space,it completes the individualized interpretation of Shenzhen’s urban mirror image and the deep observation of the fate of the people at the bottom of the heap.In so doing,the whole film reflects a different kind of space charm and cultural connotation.