摘要
作为定都汴京的最后一个王朝,金朝在中原度过了最后20年。隋堤、龙德宫、西园、临水殿等寓含兴亡的历史文化空间,使文人产生了以古鉴今的现实忧虑。金亡后,梁园、西园、遇仙楼等景观及金朝故宫,成为幸存文人凭吊故国的经典意象。二代文人和北上文人的汴京书写呈现出诸多新变,体现了文化记忆的传承和变异。作为承载几代人文化记忆的媒介,汴京为金元之际的文学注入了活力,是考察元代文学风格与理论生成的重要窗口。
As the last dynasty with Bianjing as its capital,the Jin Dynasty spent the last twenty years in the Central Plains.Suidi,Longdegong,Xiyuan,Linshuidian and other historical and cultural spaces containing rise and fall made the literati in the late Jin Dynasty yield realistic worries through learning from the past.After the fall of the Jin Dynasty,the Liangyuan,Xiyuan,Yuxianlou and the imperial palace of the Jin Dynasty became the classic images of surviving literati mourning their homeland.The Bianjing writings of the second generation of literati and those who went to the North presented many new changes,reflecting the inheritance and variation of cultural memory.As a medium carrying the cultural memory of several generations,Bianjing injected vitality into the literature during the Jin and Yuan Dynasties and was an important window to investigate the literary style and theory generation of the Yuan Dynasty.
出处
《中州学刊》
CSSCI
北大核心
2022年第10期141-149,共9页
Academic Journal of Zhongzhou
关键词
文化记忆
金元之际
汴京
重构
cultural memory
the turn of the Jin and Yuan Dynasties
Bianjing
restructure