水村美苗的“越境”体验与文学创作--以《私小说:从左至右》为中心

Minae Mizumura’s Crossing-border Experience and Literary Creation:Focusing on the An I-Novel

水村美苗被称作“越境作家群的一人”,其代表作《私小说:从左至右》中便带有明显的“越境性”特点。小说通过跨越异质语言的双语写作,展现了语言间的“不对称”张力关系;作为跨越文化的“文化越境者”,水村的带有后殖民意味的“杂糅性”与后现代意味的“去中心化”写作,使文本具有了“流动性”与“混血性”的特点,对日本现代文学起到了某种“解域化”的作用。对水村美苗文学的“越境性”考察,有助于推动学界对日本平成时代“越境作家群”的进一步研究和探讨。

Mizumura is known as“one of the crossing-border writers”,and her masterpiece An I-Novel boasts of the characteristic of“crossing-border”clearly.The novel highlights the“asymmetrical”tension between different languages through bilingual writing.As a“cultural transgressor”,the“hybridism”and post-modern“de-centralization”of Mizumura’s writing have the characteristics of“fluidity”and“hybridity”,and have contributed to“deterritorialization”of modern Japanese Literature.The study of Mizumura’s literary creation will help promote further research and discussion on the“crossing-border writers”of the Heisei Era in Japan.