极简艺术凸显物性的认识论阐释

The Epistemological Interpretation of Minimal Art on Highlighting Thingness

极简艺术的物性凸显为雕塑的发展带来了新的里程碑。一,极简艺术不是对物的外观和主体内在性的模仿,观者的凝视不需要屈从物之本质和主体内在性。二,极简艺术的迷狂要求作品的祛魅化和观者的具身性在场,强调源于观者、作品和空间中其他事物共同作用的审美显现。三,极简艺术没有固定的逻辑中心,处于不断的流变之中,始终向未见者敞开。通过作品和观者的相互作用,极简艺术的审美空间不断被拓展。

The thingness of minimalist art has brought a new milestone for the development of sculpture.First,minimalist art is not the imitation of the appearance of things and the immanence of the subject,and the gaze of the viewer does not need to yield to the essence of things and the immanence of the subject.Second,the obsession of minimalist art requires the disenchantment of the works and the embodied presence of the audience,emphasizing the aesthetic appearance of the audience,the works and other things in the space.Thirdly,minimalist art has no fixed logical center and is in constant flux,always open to the unseen.Through the interaction between the work and the viewer,the aesthetic space of minimalist art is constantly expanded.