论福克纳《献给艾米丽的玫瑰》的电影化叙事

On the Cinematic Narration of Faulkner’s A Rose for Emily

作为20世纪现代主义文学大师,福克纳突出贡献之一就在于他对小说叙事实验的探索。而长期以来,学界都鲜有关注到《献给艾米丽的玫瑰》明显的电影化叙事特征。福克纳通过时空自由切换的蒙太奇叙事法、富于“镜头感”的影像修辞、别具一格的视觉造型展开电影化的小说叙事实验,但他并没有局限于形式技巧的玩弄,而是将它们作为有效的叙事手段,服务于主题和风格表达。

As a master of modernist literature in the 20th century,one of Faulkner’s outstanding contributions lies in his exploration of narrative experiments in novels.For a long time,academic circles have paid little attention to the obvious cinematic narrative features of A Rose for Emily.Faulkner conducts cinematic novel narrative experiments through montage narratives freely switched in time and space,image rhetoric rich in“lens sense”,and unique visual modeling.However,he is not limited to playing with formal skills,but uses them as an effective narrative device serving thematic and stylistic expression.