摘要
影片《长津湖》通过语言主体、音乐、音响三大声音元素的有目的选择和有效组织,于声画同步、声画对位、声画对立的叙事中,艺术地展现了多种声音塑造人物性格、刻画人物心理、时空转换、渲染气氛、深化主题的叙事功能。电影以人物声音为媒介,塑造了敌我对峙的两军军人形象,刻画了伍百里、梅生、雷公、伍万里等形象的心理活动,推动了抗美援朝故事情节的发展,深化了“正义战争”的主题性。同时,以电影音乐、音响为手段,转换影片时空的画面,渲染了战争的悲剧感,渗透着“荣耀庄严”的情感叙事,抒发了保家卫国的自豪感。
The Battle at Lake Changjin,through the purposeful selection and effective organization of linguistic subject,music and sound,artistically shows the narrative functions of various sounds in characterization,mentalities,time-space conversion,atmosphere rendering and theme deepening in the sound-picture synchronization,counterpoint and opposition.In particular,with the medium of characters’sound,the movie shapes the soldiers'images between friend and foe,portrays the psychologies of Wu Baili,Mei Sheng,Lei Gong and Wu Wanli,promotes the plot development of the War to Resist US Aggression and Aid Korea,and deepens the theme of the“just war”.Meanwhile,it changes the picture of time and space,renders the tragic sense of the war,permeates the emotional narrative of“glory and solemnity”,and expresses the pride of defending the motherland by means of film music and sound.
出处
《闽南师范大学学报(哲学社会科学版)》
2022年第3期96-101,共6页
Journal of Minnan Normal University:Philosophy and Social Sciences
基金
福建省社会科学基金项目(FJ2022C032)。
关键词
《长津湖》
电影声音
叙事类型
叙事功能
The Battle at Lake Changjin
sound in the movie
narrative type
narrative function