浅析唐代仕女画色彩的象征性与装饰性

An Analysis of the Symbolism and Decoration of the Colors of Ladies'Paintings in Tang Dynasty

唐代的仕女人物画是中国古代人物画中一个重要的分支,对于“仕女”的界定,及至唐代中期才形成一个独立的画科,迎来仕女画发展的成熟期与转折期。此时众人对于仕女画的视点逐渐从早期的政治说教性与服务帝王统治的工具转向由外而内的具有现实生活意义的赏玩图景。多样的色彩语言、有意味的装饰要素都突显着时人的色彩审美观与创作表现,本文将从唐代仕女画色彩的布色方式、象征性寓意及其装饰趣味几方面来探讨唐代仕女画的特点,从而引发对艺术创作色彩表现的深入思考。

The figure painting of ladies in the Tang Dynasty was an important branch of ancient Chinese figure painting.The definition of"lady"did not form an independent painting department until the middle of the Tang Dynasty,ushering in the maturity and turning point of the development of ladies painting..At this time,everyone's viewpoint on the paintings of ladies gradually shifted from the early political preaching and the tools of serving the emperor's rule to the outside-in viewing pictures with real life significance.Various color languages and meaningful decorative elements all highlight the color aesthetics and creative expression of the people of the time.This article will discuss the Tang Dynasty ladies from the aspects of color distribution,symbolic meaning and decorative interest in the Tang Dynasty ladies painting.The characteristics of painting,thus triggering in-depth thinking on the color performance of artistic creation.