摘要
作为一位诗、文、书、画俱佳的通才,苏轼在美学和绘画创作理论上都有独特的建树,尤其是他提出的文人画创作观,在中国绘画史上具有极为重要的地位,苏轼开创了文人画创作之先河。然而,纵观他的论著,并没有系统的关于文人画创作方面的著作,但其关于文人画的理论却开拓了中国绘画的新领域,值得进行深入挖掘与思考。
As a generalist in poetry,literature,calligraphy and painting,Su Shi has made unique achievements in aesthetics and painting creation theory.In particular,his view of literati painting creation plays an extremely important role in the history of Chinese painting and pioneers the creation of literati painting.However,looking at Su Shis works,there is no systematic work on the creation of literati painting,but his theory on literati painting has opened up a new field of Chinese painting,which is worthy of our in-depth excavation and thinking.
作者
何旭
HE Xu(Art Vocational College of Lanzhou University of Arts and Sciences,Lanzhou Gansu,730010,China)
出处
《豫章师范学院学报》
2022年第5期25-29,43,共6页
Journal of Yuzhang Normal University
关键词
苏轼
文人画
“诗画一律”
形似
神似
Su Shi
literati painting
unity of poetry and painting
likeness in shape
likeness in spirit