原研哉设计美学对当下中国设计的启示

On the enlightenment of Kenya Hara's design aesthetics to current Chinese design

20世纪50年代日本的经济复苏促进了日本设计的发展,日本开始模仿西方设计建立自己的设计体系,这一举措也加速了日本设计的发展。日本著名的平面设计大师和国际设计大师原研哉,他的设计理念代表了日本设计。1982年,原研哉开始从事平面设计,以其独特的设计理念成为备受瞩目的平面设计大师。他将民族传统文化在平面设计中加以运用,同时又将东方的禅宗哲学应用到设计中,提倡简单设计。许多设计者都对原研哉设计原则有着高度评价,如简单性、空虚性和重新设计。研究原研哉的设计思想,可以对日本设计有一个新的认识,对中国平面设计的发展有重要的借鉴意义。

The economic recovery in the 1950s promoted the development of Japanese design.Japan began to imitate western design and establish its own design system.This measure also accelerated the development of Japanese design.Kenya Hara,a famous Japanese graphic design master and international design master,whose design concept represents Japanese design.In 1982,Kenya Hara began to engage in graphic design and became a high-profile graphic design master with its unique design concept.He applied the national traditional culture in graphic design,and applied the Oriental Zen philosophy to design,advocating simple design.Many designers highly value the original design principles,such as simplicity,emptiness and redesign.The study of Kenya Hara's design thought can have a new understanding of Japanese design and have important reference significance for the development of Chinese graphic design.