摘要
《马可·波罗》是谭盾现代歌剧的代表作品,它打破了中西方文化的界限,在意识流与后现代的解构手法下,用非逻辑化的故事走向与无序的音乐材料编织了三段“旅途”主题.通过对这部歌剧的整体结构、人物设定、作曲特点等方面进行多维度分析,准确把握这部歌剧的解构与建构,透彻解读贯穿作品的“旅途”主题,从而透过荒诞无序的表象深刻理解这部现代主义作品所表达的对人生的思考.
Marco Polo is the representative work of Tan Dun’s modern opera,in which Tan Dun skillfully integrates Chinese and western music culture.With the deconstruction techniques of stream of consciousness and postmodernism,the opera weaves around three“journey”themes with illogical story trend and disordered music materials.Multi-dimensional analysis from such aspects as overall structure,character design and music composition leads to accurate construction and deconstruction of the opera,thorough interpretation of the“journey”theme and profound understanding of the thinking about life as presented in the modernist opera under disguise of absurdity and disorder.
作者
杜立新
DU Lixin(College of Music Education,Shenyang Conservatory of Music,Shenyang Liaoning 111000,China)
出处
《鞍山师范学院学报》
2022年第4期77-82,共6页
Journal of Anshan Normal University
